Tonight my wife and I attended a fund-raiser for
Joshua's Trust at newly reopened Knowlton Hall. I had no idea what to expect although I had been hearing very good things from some musically knowledgable friends that Peter had been playing out with some former Shaboo All-Stars and others who sounded very well.
So tonight in walks in Peter, casual as you please and good-naturedly mingling with old friends and locals who support Joshua's Trust. No band or backup - cabaret setting. Hmmm.
The minute Peter took the stage, the warmth of his personality just permeated the room. This guy is flat-out funny, genuine, and comfortable in his own skin. Between songs he joked about fame, age, and experience. The early evening show felt like catching a special performer playing at the Iron Horse Cafe in Northampton, MA. This turned into something very special, a performer performing without a net.
I cannot remember the entire set of songs nor the sequence so I'll simply stick to those that stood out.
Peter's two banjo sets were reminiscent of John Hartford. He performed a Motown tune,
Higher and Higher that involved audience participation for the chorus and it played very well. The playful humor of these sets will also remind you of Steve Martin's [minus the balloons] fine banjo sets.
On acoustic guitar, Peter played Neil Diamond, Carol King, Van Morrison, and Boyce and Hart tunes from his earlier career. Like the recently released acoustic version of George Harrison's
My Guitar Gently Weeps, the refreshing starkness of Peter's version of
Daydream Believer is worthy of consideration of re-release in this stripped down form. His modulation of the chorus gives the song a haunting and warm regret of a lifetime for fading daydream believers.
Dress Sexy for Me and
MGBGT are two of Peter's original songs that both were enjoyable reminders of songs that you can enjoy, listen to, and maybe sing along to.
In Peter's passion, the blues, songs like a Robert Johnson cover
Come in my Kitchen and
Ain't Your Fault, Babe exorcise a suprisingly accomplished inner blues man who serves up some very tasty blues that have the same quality of Robert Cray's delivery.
Most surprising though was the inclusion of an old Mills Brothers tune,
'Til Then. Again, maybe coming home is good for Peter's soul because this song, moreso than many of Springsteen's latest folk set, invokes a powerful emotional dialogue that could well be a conversation between one of our soldiers overseas and his loved one being left behind. Peter's version is a real treasure that complements the same sentiments of Neil Young's
Living With War songs by providing a historical context. This one deserves to be offered up in MP3 form by Move On, Truthout, or other progressive venues. It's a find.
I'm sure I failed to mention a half dozen outstanding performances of other songs and I'll apologize - I hadn't planned on writing this.
Peter's new album
Saved By the Blues is put out by Beachwood records and I'm happy to say I've bought a copy to play for my family's commuting.
This was a great show. Don't hestitate to attend Peter's show, in life this is known as the good stuff.
Postscript; My wife and I played the CD over dinner - fantastic blues... my wife loves it and wants it for her commute... easy come, easy go. I'll get it on the rebound.